*World Premiere
Gil Rose, conductor
Tickets are no longer available for online purchase. Please contact the Jordan Hall Box Office at 617.585.1260 to place your order.
Hungarian music, Liszt once wrote, “is divided naturally into melody destined for song or melody for the dance.” Saturday’s ambitious “Magyar Madness” program, presented by the Boston Modern Orchestra Project, had representatives of both. It also had two alluring world premieres.
Though the Boston Modern Orchestra Project’s “Magyar Madness” certainly delivered on the first word by presenting four works of Hungarian or Hungarian-descended composers including two premieres at Jordan Hall on Friday, we’ll give BMOP a pass on “Madness,” as the alliterative sobriquet was oxymoronic considering the event’s rock-solidity.
The Boston Modern Orchestra Project, having promised a night of “Magyar Madness” Saturday at New England Conservatory’s Jordan Hall, delivered world premieres of two outstanding, if well-behaved, works by Boston-based composers of Hungarian birth or ancestry and of Generation X vintage. The madness was supplied by the old-timers, Béla Bartók and Gyorgy Ligeti.
Crazy or sane, violent or poetic, all the music in Saturday’s concert touched on Hungary’s distinctive culture as a place apart, isolated by geography and language, yet also bubbling with a mix of European and Asiatic influences.
Composer Kati Agócs was born in 1975 in Windsor, Ontario, to a Hungarian father and American mother. Her music — spacious and elegant, even in its knottier episodes — reflects and refracts this polyglot background. But there is a special quality that her Eastern European background lends to her music.
Every six weeks on BPR, we invite our music experts on the show to give us a preview of the shows to come. Here are recommendations from WCRB host Brian McCreath, Berklee College of Music's Rob Hochschild, and WGBH's own Edgar B. Herwick III from Curiosity Desk to help cut through the dark of winter.
Brian's picks:
- "Defiant Requiem," Tuesday, January 27th at Symphony Hall, Boston. Tanglewood Festival Chorus, Orchestra of Terezin Remembrance, Murray Sidlin.
Kati Agócs, whose The Debrecen Passion comes to Boston Modern Orchestra Project this Saturday night, has been making quite an impression on the global music community. But beyond her extensive curriculum vitae and skill as a composer, Kati is also a warm and compassionate person, extremely self-actualized with a fluid ability to describe her experience.
