October 15, 2014 — Gil Rose and the Boston Modern Orchestra Project (BMOP) opened their season on Sunday afternoon with a typically generous and curious program, highlighting music for orchestra and electronics. Perhaps the most impressive takeaway – aside from the rich, musical diversity the afternoon’s three selections showcased – were the often almost imperceptible ways in which composers Ronald Bruce Smith, Anthony Paul de Ritis, and David Felder integrated the electronic and acoustic elements in their music.
October 14, 2014 — Some instruments, once you’ve glimpsed them, stay with you. I’ll never forget my brief encounter with the emormous, room-filling RCA Mark II synthesizer, the first of its kind, built in the 1950s and bursting with period charisma, thanks to its towering stacks of vacuum-tube components and endless rows of knobs and dials. Its aura was so redolent of the early-Cold War era, it seemed that if composers like Milton Babbitt and Vladimir Ussachevsky had not kept it so busy, then maybe, just maybe, we might have beaten the Soviets into space.
October 13, 2014 — The best music deal in town this holiday weekend might have been “Surround Sound,” the Boston Modern Orchestra Project’s concert Sunday afternoon at New England Conservatory’s Jordan Hall.
September 1, 2014 — Deeply drawn to the theater and to the theatrical, Lewis Spratlan (born 1940) is best known for his opera Life Is a Dream (it won the 2000 Pulitzer) and has written several other major works for stage production, though his interest in musical drama also extends to his purely instrumental compositions. My favorite of these is his clever, entertaining, sometimes hilarious 1986 sextet When Crows Gather, recorded, with three other very enjoyable (and also extravagantly uninhibited showpieces) on Albany 725 (July/Aug 2005).
Boston, MA (April 16, 2014) —
When: Friday, May 16 @ 8:00 p.m. (free pre-concert talk @ 7:00 p.m.)
Where: Jordan Hall (30 Gainsborough Street), Boston, T: Symphony/Mass Ave.
Tickets: General $20 - $50/Students $10. To reserve seats now, contact BMOP at bmop.org or 781.324.0396. Starting April 18, tickets are also available through the Jordan Hall Box Office at 617.585.1260, in person, or at tix.com.
Boston, MA (November 22, 2013) — The Boston Modern Orchestra Project (BMOP), affiliate orchestra for new music at New England Conservatory, will join NEC in sponsoring the 2014 Concerto Competition for works written after 1963.
Provisions: The competition will be held on January 21, 2014, from 11am to 1pm in room 124 of the Jordan Hall building. The competition will consist of one round.
Eligibility: The competition is open to any full-time NEC student, instrumental or vocal, who is enrolled for the 2013/2014 academic year.
Boston, MA (April 2, 2013) — For immediate release: March 29, 2013
• Degree Bestowed at Boston Modern Orchestra Project Concert, April 14
• Performances by [nec] shivaree, BMOP
• Knussen Will Give Lecture, Work with NEC composition Students in Two Masterclasses
Dallas, TX (June 8, 2012) — 24 American orchestras will be recognized with 2011-12 ASCAP Awards for Adventurous Programming today at the League of American Orchestras' 67th Annual Conference in Dallas. ASCAP and the League present the awards each year to orchestras of all sizes for programs that challenge the audience, build the repertoire, and increase interest in music of our time. Approximately $700,000 has been bestowed on orchestras since the awards were established in 1947. Below is a complete list of this year's winners.
2011-12 ASCAP Awards for Adventurous Programming