December 11, 2014 — Youngsters arrived in droves for the Boston premiere of Tobias Picker’s Fantastic Mr. Fox in Sunday afternoon’s Jordan Hall collaboration among the Boston Modern Opera Project, Odyssey Opera, and the Boston Children’s Chorus (Anthony Trecek-King, director). Albeit scrubbed of the assassination, murder, or suicide that characterizes the rest of the composer’s work in the genre, Fox is not an inevitable children’s opera.
December 9, 2014 — Neither the Boston Modern Orchestra Project nor Odyssey Opera is well known for its children’s programming, so it was a particular pleasure to see the dozens of pint-size opera-goers filing into Jordan Hall excitedly on Sunday afternoon. The occasion was Tobias Picker’s family opera, “Fantastic Mr. Fox,” with a libretto by Donald Sturrock adapted from the story by Roald Dahl.
November 23, 2014 — As evidenced by Heavy Weather, Boston Modern Orchestra Project’s latest recording of music by Scott Wheeler, the composer really knows his way around percussive sounds. Even on pieces for strings like the title track, there is the ‘thwack’ of pizzicatos and bow slaps to help propel the proceedings. Pacing is another strong suit of Wheeler’s. The shadowy passages of City of Shadows are balanced by flurried gestures that enliven the music and help to articulate the work’s overall architecture.
October 27, 2014 — “Old Granddad” sounds like something you might ask a bartender to mix up, but it’s actually what you get when you manipulate scrap metal, trash cans, and oxygen tanks into a percussion instrument played with baseball bats. Given its resemblance to a gamelan it is often also referred to as an “American Gamelan,” but I think we can all agree that “Old Granddad” is a much cooler name. It was built by Lou Harrison and his partner William Colvig and is heard throughout Harrison’s Suite for Violin with American Gamelan and La Koro Sutro.
Boston, MA (December 12, 2014) — The Boston Modern Orchestra Project (BMOP), affiliate orchestra for new music at New England Conservatory, will join NEC in sponsoring a concerto competition for works written after 1964.
Provisions: The competition will be held in late January in Jordan Hall. The competition will consist of one round.
Eligibility: The competition is open to any full-time NEC student, instrumental or vocal, who will be returning in the 2014/2015 academic year.
Boston, MA (April 16, 2014) —
When: Friday, May 16 @ 8:00 p.m. (free pre-concert talk @ 7:00 p.m.)
Where: Jordan Hall (30 Gainsborough Street), Boston, T: Symphony/Mass Ave.
Tickets: General $20 - $50/Students $10. To reserve seats now, contact BMOP at bmop.org or 781.324.0396. Starting April 18, tickets are also available through the Jordan Hall Box Office at 617.585.1260, in person, or at tix.com.
Boston, MA (November 22, 2013) — The Boston Modern Orchestra Project (BMOP), affiliate orchestra for new music at New England Conservatory, will join NEC in sponsoring the 2014 Concerto Competition for works written after 1963.
Provisions: The competition will be held on January 21, 2014, from 11am to 1pm in room 124 of the Jordan Hall building. The competition will consist of one round.
Eligibility: The competition is open to any full-time NEC student, instrumental or vocal, who is enrolled for the 2013/2014 academic year.
Boston, MA (April 2, 2013) — For immediate release: March 29, 2013
• Degree Bestowed at Boston Modern Orchestra Project Concert, April 14
• Performances by [nec] shivaree, BMOP
• Knussen Will Give Lecture, Work with NEC composition Students in Two Masterclasses