clarinet

Two-time Grammy Award winning clarinetist Richard Stoltzman's virtuosity, technique, imagination, and communicative power have revolutionized the world of clarinet playing, opening up possibilities for the instrument that no one could have predicted. He was responsible for bringing the clarinet to the forefront as a solo instrument, and is still the world's foremost clarinetist.

Mr. Stoltzman gave the first clarinet recitals in the histories of both the Hollywood Bowl and Carnegie Hall, and, in 1986, became the first wind player to be awarded the Avery Fisher Prize. As one of today's most sought-after artists, Stoltzman has been a soloist with more than a hundred orchestras as well as a recitalist and chamber music performer, innovative jazz artist, and prolific recording artist. A two-time Grammy Award winner, he has amazed critics and audiences alike in repertory spanning many musical genres.

Mr. Stoltzman's talents as a jazz performer as well as a classical artist have been heard far beyond his annual tours. He has performed and recorded with such classical, jazz, and pop greats as Emmanual Az, Yo-Yo Ma, Gary Burton, the Canadian Brass, Chick Corea, Judy Collins, Eddie Gomez, Keith Jarrett, the King's Singers, George Shearing, Wayne Shorter, Mel Tormé, and Spyro Gyra founder Jeremy Wall. Mr. Stoltzman frequently performs with his son Peter John Stoltzman, a talented classical and jazz pianist and composer.

Mr. Stoltzman graduated from Ohio State University with a double major in music and mathematics. He earned his Master of Music degree at Yale University while studying with Keith Wilson, and later studied with Kalmen Opperman at Columbia University. He makes his home in Massachusetts and is a passionate Boston Red Sox fan. He is also a Cordon Bleu-trained pastry chef whose specialty is the Linzer Torte.

Performances

Jordan Hall at New England Conservatory | May 26, 2006
Jordan Hall at New England Conservatory | May 21, 2004

News and Press

[Interview] William Thomas McKinley: searching for transcendence

William Thomas McKinley (Tom to his friends and family) is a protean personality, a composer of more than 300 works of great diversity, who embraces the classical and jazz worlds with equal proficiency and gusto. His is a restless, exploratory mind that ceaselessly seeks to expand the boundaries of musical form and substance without abandoning the essential building blocks of melody, rhythm, and harmony.

Fanfare Full review
[Concert Review] BMOP raps up another crowd-pleasing season

Conductor Gil Rose and the Boston Modern Orchestra Project closed this season’s subscription series Friday night with a good-time program of crossover music.

The Boston Globe Full review
[Interview] Highbrow big band: Boston Modern Orchestra Project swings both ways

I believe I’m supposed to blame Theodor Adorno for this, but somewhere along the way in the 20th century’s formative years, modern music got divvied up between “serious” and “popular” ears. As lame distinctions go, this one has proven particularly persistent, hanging around to this day in boiled-down form as an opposition between fun and not-fun. In any case, it has left us with an unnecessary schism in the way we understand American music.

The Weekly Dig Full review
[Press Release] BMOP brings big band music to Jordan Hall

The Boston Modern Orchestra Project (BMOP), ends its 2005-2006 concert season with "Big Band." BMOP is one of the few professional orchestras in the United States dedicated exclusively to performing and recording music of the twentieth and twenty-first centuries. Since it's founding in 1996, BMOP has programmed 46 concerts of contemporary orchestral music, released ten world premiere recordings, and won eight ASCAP Awards for Adventurous Programming.

Full review
[Press Release] BMOP opens its season with the North American premiere of Louis Andriessen's Trilogy of the Last Day

The Boston Modern Orchestra Project (BMOP), under artistic director and conductor Gil Rose, is one of the few professional orchestras in the United States dedicated exclusively to performing and recording music of the twentieth and twenty-first centuries. Since its founding in 1996, BMOP has programmed 46 concerts of contemporary orchestral music, released ten world premiere recordings, and won eight ASCAP Awards for Adventurous Programming.

Full review
[Concert Review] BMOP soars through graceful season finale

“A dazzling world premiere by Evan Ziporyn and the appearance of not one but two celebrated guest soloists distinguished the final concert of this year’s Boston Modern Orchestra Project season at Jordan Hall on Friday.

Renowned “new music” pianist Ursula Oppens applied her unfailingly insightful curiosity and sublime graciousness of touch to Augusta Read Thomas’s 2000 intermittently appealing Aurora. And master clarinetist Richard Stoltzman’s playing impressed as usual in Stephen Hartke’s 2001 Clarinet Concerto....

The Boston Globe Full review