Band in Boston

Friday, January 22, 2010 | 8:00pm
Program Notes hosted by The Score Board at 7:00pm
Jordan Hall at New England Conservatory
Igor Stravinsky Symphonies of Wind Instruments (1920)
Harold Meltzer Privacy (2008)
Percy Grainger The Power of Rome and the Christian Heart (1953)
Wayne Peterson And The Winds Shall Blow (1994)
PRISM Quartet, saxophone quartet
Joseph Schwantner Recoil (2004)

Gil Rose, conductor

The Score Board is a group of New England-based composers serving as BMOP's vanguard of composer-advocates through volunteerism, direct support and activities, community-building, and curating BMOP's annual Club Concert series.

News and Press

[Concert Review] Things that go BMOP in the night
If you attended a performance of the Boston Symphony Orchestra last fall, chances are pretty good that you heard one or more of Beethoven’s symphonies. The BSO, widely recognized as one of the world’s most elite orchestras, presented a complete set of these vaunted works throughout October and November and has several additional performances scattered throughout their concert season. My hometown orchestra, the New Haven Symphony Orchestra, dedicated this, their 116th season, to the theme “Beethoven and Beyond.” Their concerts are centered around a complete series of the nine symphonies.
Brandeis Hoot Full review
[Concert Review] Classical Music Review: BMOP's Band in Boston
Time was when Boston had a City Censor, and books and plays drummed up trade by having them “Banned in Boston.” The Boston Modern Orchestra Project, headed by conductor Gil Rose, came up with the deliciously punning title “Band in Boston” for its Jordan Hall concert on January 22. Indeed there was not a bowed string instrument to be seen on stage all evening – nothing but 36 wind players, plus five percussionists, a harpist, and three pianists.
The Arts Fuse Full review
[Concert Review] BMOP: Band in Boston
The BMOP continued its season last Friday with their Band in Boston concert, celebrating 20th and 21st century music for wind ensemble with two repertoire mainstays by Stravinsky and Percy Grainger, as well as some newer compositions by Harold Meltzer, Wayne Peterson, and Joseph Schwantner. Robert Kirzinger’s excellent program notes make the case that band music has lost some of its historical prestige because the bands (military, university, etc.) have themselves lost their prestige, despite their ability, popularity, and cultural and social significance.
Boston lowbrow Full review
[Concert Review] BMOP does band
The Boston Modern Orchestra Project is known for exploring a wide variety of 20th- and 21st-century instrumental music. On January 22nd at New England Conservatory’s Jordan Hall, under the baton of music director Gil Rose, the group forayed into wind ensemble territory with a program of varying styles and with mixed effectiveness.
The Boston Musical Intelligencer Full review
[Concert Review] Mighty winds and brass!
If you saw sparks flying over Boston’s Back Bay last night, it might have been the result of the energy and excitement generated by the Boston Modern Orchestra Project during their performance in Jordan Hall. BMOP’s primary mission is to commission, perform and record new orchestral work. They also perform 20th-century “classics” with great gusto.
Miss Music Nerd Full review