tenor

Matthew DiBattista’s engagements this season include Camille Raquin in Picker’s Thérèse Raquin (Long Beach Opera and Chicago Opera Theater); Curley in Floyd’s Of Mice and Men (Tulsa Opera); Britten’s War Requiem (Dayton Philharmonic Orchestra); and the servant in Capriccio (Lyric Opera of Chicago). Last season’s engagements include his Lyric Opera of Chicago debut in Parsifal; Eddie Fisslinger in Elmer Gantry (Tulsa Opera); and Monastatos in Magic Flute (Opera Theatre of St. Louis). Recently he sang Steve Hubble in A Streetcar Named Desire (Virginia Opera), Beppe in I Pagliacci and Tinka in Il tabarro (Opera Theatre of St. Louis), and Jack in Tippett’s Midsummer Marriage (Boston Modern Orchestra Project). Career highlights: Jasper Vanderbilt in Kirke Mechem’s The Rivals (world premiere, Skylight Opera Theatre); roles in Unsuk Chin’s Alice in Wonderland (American premiere, Opera Theatre of Saint Louis); Stage Manager in Rorem’s Our Town (Monadnock Music Festival); Flute in A Midsummer Night’s Dream (Boston Lyric Opera); Molqi in The Death of Klinghoffer and Bégearss in The Ghosts of Versailles (Opera Theatre of St. Louis); David in Die Meistersinger von Nurnberg (Boston Symphony Orchestra); Flavio in Norma (Tanglewood, Charles Dutoit conducting); the title role in The Good Soldier Schweik (Long Beach Opera); Yarzhkin in The Nose (Opera Boston); Jack O’Brien in The Rise and Fall of the City of Mahagonny and Louis in Eötvös’ Angels in America (North American premiere, both with Opera Boston); Martin in Copland’s The Tender Land, (PBS’ “Great Performances”); and Pedrillo in Die Entführung aus dem Serail (Glimmerglass Opera).

Performances

Jordan Hall at New England Conservatory | March 5, 2015
Jordan Hall at New England Conservatory | November 10, 2012

News and Press

[Concert Review] Moravec’s stunning “Blizzard Voices” receives powerful premiere from BMOP

Disastrous winters live long in historical memory. For example, there is the blizzard that hit the Great Plains in January of 1888, which caught many who lived in the Midwestern territories unawares. Known as the Children’s Blizzard, the storm trapped students and teachers in their one-room schoolhouses where they remained for days. Many who ventured out into the storm succumbed to frostbite. Others froze to death. In conservative estimates, several hundred people died.

Boston Classical Review Full review
[Concert Review] Michael Tippett's Midsummer madness

The first American production of any of Michael Tippett's five operas was Sarah Caldwell's The Ice Break for the Opera Company of Boston in 1979. In 1991, BU students did The Knot Garden. This year, Opera Boston scheduled the first Boston production of The Midsummer Marriage, Tippett's first opera (completed in 1952, after six years of work). But Opera Boston folded.

The Boston Phoenix Full review
[Concert Review] Midsummer Marriage: Strange & Wonderful

Saturday night Jordan Hall was, perhaps, half full for three hours of memorable music as Gil Rose conducted Boston Modern Orchestra Project in a concert performance of Michael Tippett’s 1955 opera, The Midsummer Marriage.

The Boston Musical Intelligencer Full review
[Concert Review] A Phoenix Rises from the Ashes of Opera Boston

Boston opera buffs were dealt a hard blow last December when Opera Boston, a company known for innovative productions of less familiar repertory, announced it was shutting down amid a financial and managerial crisis. But the company’s ambitious plans were not entirely sent to the scrap heap of operatic history: Sir Michael Tippett’s opera, The Midsummer Marriage – planned as the centerpiece of the company’s 2012 season – was reconceived as a concert production Saturday at Jordan Hall by the Boston Modern Orchestra Project (BMOP).

WQXR Full review
[Concert Review] BMOP proceeds with Tippett's 'Midsummer Marriage'

Before a note was played, Saturday night’s Boston Modern Orchestra Project performance of Michael Tippett’s first mature opera, “The Midsummer Marriage,” generated more good will and broader public curiosity than the average season-opener. That’s because the now-defunct Opera Boston had this rarely spotted Tippett opera on its agenda long before the company abruptly folded last December.

The Boston Globe Full review
[Concert Review] BMOP gives worthy advocacy to Tippett's unwieldy "Midsummer Marriage'

One door closes, another opens. With the demise of the ambitious company Opera Boston last year, director Gil Rose lost a chance to explore some of the gems in the outermost reaches of the stage repertory.

Fear not. Rose simply brought one such rarity, Michael Tippett’s The Midsummer Marriage—slated last season for Opera Boston but left unperformed—to his other adventurous ensemble, the Boston Modern Orchestra Project. BMOP performed a semi-staged version of the mid-20th century opera Saturday evening at Jordan Hall.

Boston Classical Review Full review