David Rakowski

David Rakowski
composer

David Rakowski was born and raised in St. Albans, Vermont, where he played trombone in high school and community bands, and keyboards in a mediocre rock band called the Silver Finger. He developed his ears by taking songs off the radio for his band to play.

His musical training was at New England Conservatory, Princeton, and Tanglewood, where he studied with Robert Ceely, John Heiss, Milton Babbitt, Paul Lansky, Peter Westergaard, and Luciano Berio. He spent the four years after graduate school holding down dismal part-time word processing jobs and helping to run the Griffin Music Ensemble in Boston. At the end of those four years, he leapt into academia with a one-year position at Stanford University. Seven years later, he finished his dissertation.

Rakowski's most widely-traveled music is his ever-expanding collection of piano etudes, currently numbering eighty-eight; these pieces approach the problem of etude from many different angles, including technical, conceptual, and stylistic; many of them may be viewed on YouTube. He has also written three symphonies, five concertos, three large wind ensemble pieces, a sizable collection of chamber and vocal music, as well as incidental music.

Rakowski's awards include the Rome Prize, an Academy Award from the American Academy of Arts and Letters, the 2006 Barlow Prize, and the 2004-6 Elise L. Stoeger Prize from the Chamber Music Society of Lincoln Center, as well as awards and fellowships from the Guggenheim Foundation, the NEA, the Rockefeller Foundation, the Tanglewood Music Center, BMI, Columbia University, the Orleans International Piano Competition, and various artist colonies. He has been commissioned by the Orpheus Chamber Orchestra, the US Marine Band, Sequitur, Network for New Music, Koussevitzky Music Foundation (with Ensemble 21 in 1996 and with Boston Modern Orchestra Project in 2006), Collage New Music, the Kaufman Center/Merkin Hall, Boston Musica Viva, the Fromm Foundation (twice), Dinosaur Annex, the Crosstown Ensemble, Speculum Musicae, the Riverside Symphony, Parnassus, The Composers Ensemble, Alea II, Alea III, Triple Helix, and others. In 1999 his Persistent Memory, commissioned by Orpheus, was a Finalist for the Pulitzer Prize in Music, and in 2002 his Ten of a Kind, commissioned by "The President's Own" US Marine Band, was also a finalist for the Pulitzer Prize. He has been composer-in-residence at the Bowdoin Summer Music Festival, Guest Composer at the Wellesley Composers Conference, and a Master Artist at the Atlantic Center for the Arts. His music is published by C.F. Peters, is recorded on New World/CRI, Innova, Americus, Albany, Capstone, Bridge, and BMOP/sound, and has been performed worldwide.

Rakowski taught at Columbia University for six years, and then joined the faculty of Brandeis University, where he is now the Walter W. Naumburg Professor of Composition. He has also taken part-time appointments teaching at Harvard (twice) and New England Conservatory (also twice). Now a failed trombonist, he lives in Boston exurbia and in Maine with his wife Beth Wiemann and two cats named Sunset and Camden.

more

Performances

Jordan Hall at New England Conservatory | November 2, 2007
Jordan Hall at New England Conservatory | January 20, 2007
Jordan Hall at New England Conservatory | May 21, 2004

News and Press

[News Coverage] Spinning Local: A batch of new CDs from BMOP
Meanwhile the city’s other homegrown label, BMOP/sound, continues to impress. This scrappy in-house operation run by conductor Gil Rose and his Boston Modern Orchestra Project was launched early last year, and it has released a steady stream of impeccably produced, beautifully packaged discs with exacting and engaged performances of 20th- and 21st-century music. Several elegantly probing pieces by Brandeis-based composer David Rakowski were recently featured on a BMOP/sound disc called Winged Contraption, including his Piano Concerto in a strong performance by Marilyn Nonken.
The Boston Globe Full coverage
[CD Review] American Record Guide reviews David Rakowski: Winged Contraption
Born in Vermont in 1958, David Rakowski is best known for his long series of witty, extravagant piano etudes. They have been often performed, and recordings of them have been praised by ARG’s reviewers: Bridge 9121 (July/Aug 2003), Albany 681 (Jan/Feb 2005), Bridge 9157 (Mar/Apr 2005). Rakowski has written much else, too, including three symphonies, five concertos, wind ensemble pieces, and chamber and vocal music.
American Record Guide Full review
[CD Review] NewMusicBox reviews David Rakowski: Winged Contraption
About a year and half ago, we did a NewMusicBox cover on David Rakowski, in preparation for which I studied his then 80 solo piano etudes and became a hardcore devotee. These quirky pieces are a rare breed—they’re pithy and some are even hysterically funny, no small feat to accomplish in the abstract, non-representational medium of music. As a result, pianists flock to them, and they are fast becoming staples of the contemporary solo piano repertoire. But all through our talk, David insisted that he’s more than “the piano etude guy”.
NewMusicBox Full review
[Press Release] BMOP/sound releases David Rakowski: Winged Contraption
BMOP/sound, the nation's foremost label launched by an orchestra and devoted exclusively to new music recordings, today announced the forthcoming album release of David Rakowski: Winged Contraption. Spanning 15 years of his musical career, Winged Contraption is a cornucopia of compositional treats that combines Rakowski's intellectual rigor, wit, and at times, pure silliness, while keeping its ears wide open to American music of all kinds.
Full release
[News Coverage] A record label of one's own
The news these days about the classical music recording industry is almost always bleak, so it’s a pleasure to report a bright spot on that landscape: the Boston Modern Orchestra Project has finally launched its own record label called BMOP/sound.
The Boston Globe Full coverage